CHILE:
VALPARAISO


April 25, 2017 to May 1, 2017
Bob Francescone
2017-04-25
VALPARAISO DAY 1
Voice alone is not enough for her story. Eyes wide, body swaying, cinemascopic arms waving outwards then up and down, our tableside Cecilia B. DeMille, gets it across: did we feel the earthquake!! (We did not…we were on the ship.) The other waitress adds English subtitles. It was yesterday, close, and BIG, 6.9. Everything shook, people ran up the hills. But there was no tsunami. Shrugs. How's your lunch?
Lunch is chorrillana, a Chilean specialty of fried egg, onions, slices of dark meat, tubes of something pinkish, tubular, and vaguely faunal, and something else grey and crumbly, provenance best left unquestioned, heaped atop a mound of French fries and glued together with grease into a towering mass, marginally tasty, essentially indigestible, and, surely, earthquake and tsunami proof.
Earthquake, charming and cinematic waitresses, culinary adventure…icing on the spectacular cake of Valparaiso. We’ve been here five hours and we’re hooked. Rome has 7 hills, mere bumps compared to Valparaiso’s 47 lofty 'cerres', the city vertical and jumbled rising in staircased confusion above a magnificent bay, coastal mountains to the east and beyond them the snows of the Andes. The setting is eye-draining, but is upstaged by the city. The old part is a UNESCO WORLD HERITAGE site, but not just for the stacked old mansions from the city’s glory days (pre-Panama Canal) as the wealthiest in South America.
Valparaiso is the Sistine Chapel of street art/graffiti. Walls, houses, the alpinist staircases, fences, factories, store fronts are covered with huge murals of every school and tradition of expression. The tallest is 18 stories. We climb the streets, awash in color.
Our AirBnB is an old house atop Cerre Alegre, surrounded by colored walls, but itself unpainted. We’re welcomed in Spanish by university student Cata and in loud meows and proprietary rubs by resident feline MarYSol, walk in… and stop dead. The back of the 110-year-old house is all windows. Our digs hang off the hill with a 180-degree view of the city, harbor, and mountains. By the time owner Tomas (a dead ringer for a young Omar Sharif) tells us the story of the house, we’re hooked. And extend our 3-night stay to six.
Tomas/Omar gifts us with three kinds of sweet grapes just harvested from his vineyard. Mirasol crawls into my lap. Six days will not be enough.
2017-04-26 - VALPARAISO DAY
2
The ancient funicular chitty-chitty-bang-bangs us up its 130-year-old track to the top of Cerre Artilleria for 45 cents, cheap fare to aerie-view Valparaiso's spectacular setting. To the north and west is the Pacific Ocean, smudgy blue.
Eastward is fantasy. The harbor, clearer blue, ships bright striations across the flatness, then the technicolor vertical cubist marvel of the city, backdropped by the even higher coastal mountains, greyed out behind the scrim of afternoon haze. And beyond them, the Andes, white against the blue sky, and the end of Chile, Argentina sharing the peaks.
Rumor has it that in the Inca language 'chile' means 'long, cold place'. Long it is, 2670 miles (and only 217 miles wide at its widest). Chilly it is not, not here and not today. Up north we would call it a perfect Spring day. Here, way below the equator, it’s a perfect Autumn day, sunshine distilled and concentrated into the shortening days.
The ascensor/funicular is a concession to our flatlander legs, achingly insulted by 2 days of alpinist excesses. Today we joined guide Andrea and a dozen other travelers for a three hour 'Tour4Tips' trip through the offbeat side of the city. Bus 612 got us off our feet and into an arm-wrenching uphill slalom to another panorama, Plaza Bismarck, vestige of the Germans who helped build Valparaiso. Busses zoom their routes because drivers are paid by the passenger. The more times they run the route, the more passengers, the more money they earn. Valparaiso bus drivers are famously surly. Not ours. Our group is a goldmine. We get a smile as we fill the seats…and his wallet.
Andrea talks of the hopeful days under Allende, the world’s first elected Socialist President, murdered via CIA sponsored coup, replaced by the repressive tyranny of Pinochet, and dark years of repression and death. The murals began as protest Pinochet, hastily scribbled at night by a few, then embraced by all Valparaiso, art as hope. Pinochet is long gone, dying peacefully, unpunished, bitterly remembered, but fading into history. The murals remain. And are renewed.
2017-04-27 - VALPARAISO DAY
3
'The city is full of surprises.’ And Christian throws open the windows at the back of his shop, like a magician at his 'big reveal’: Valparaiso.
Christian lives next door. Like our house, his hangs over the city, way up atop Cerro Allegre. His gallery offers first rate, one of a kind pieces, from local artists, and he offers hints of one of a kind places not to miss in this city of one of a kind places not to miss.
Valparaiso is all nooks and crannies. And we’re nooks and cranny types, secrets seekers, revelers in the small places folded away. Today we twist, turn, climb, drop, hump up, and clump down, crooked stairs, bump up, and whooppee down, the 19th century funiculars'. Every street is a find, a one of a kind twisting canyon of color.
We meet many dogs. They drape across the cobblestones and stairways, sprawled with that happily satisfied 'what, me worry?' expression of sleeping canines. Awake they are never aggressive---except to four-legged interlopers---and not shy or afraid of a pet on the head from us two-legged passers-by, proof they’re not mistreated in this laid-back city. One only barks at 'speeding' cars, ignoring anything at a walker's pace. (Note: we see no female dogs, and no puppies. Somebody please explain.)
Lunch is one of the 80 varieties of empanadas on offer at 'our' empanada place way down the hill where vertical Valparaiso skids into the narrow flat strip along the bay. Empanadas are everywhere, but our Empanada Lady is the Michelangelo of Munchies. We’re working our way through her list. Number 56…or is it 2?2, or 33?...is cheese, artichoke, corn, spinach, basil. Deep-fried to order, the crust hot, not greasy, tender and, flaky, these are the apotheosis of street food, right up there with the potato samosas in Harar, Ethiopia, and the New York hot dogs of my childhood memory.
We’re way up the hill at 9pm, joining early locals in the nightly search for dinner. The restaurants are tiny, folded fit into the nooks and crannies, so tiny they are themselves nooks (or is it crannies?). Our find is a small room, so, tiny, and colorful, unforced, real. They hand-make thin crusted pizzas, the one food that may be universal, though rarely done this well. I can do no better than to say this tiny nook (or cranny) is worthy of Valparaiso.
We are glad we have more days here.
2017-04-28 VALPARAISO DAY 4
'…and if I love you, watch out!
The would-be Carmen tosses her warning, high note, hair, and skirts at the crowd and bows. Applause trickles in. Most shoppers wander by, a few drop coins in her basket, continue down the street. She's not bad. Her tenor buddy is not 'not bad'. He's criminally awful. He darkens the sun of 'O Sole Mio' with notes so exuberantly flat they lie like pancakes on our ears. Same applause. The crowds of Viña del Mar appreciate the effort. Our coins join theirs and we walk on. Quickly. Tenor is revving up to almost scramble up the heights of my least favorite Neapolitan folk song, the one about funicular railways.
We’re wandering in Viña del Mar, Valparaiso's other half, 45 cents, and 15 minutes to the north, beach, not port, looking for a museum with artifacts from Easter Island.
Viña is pretty, of the vapid runway model variety. It is Valparaiso bleached, nooks and crannies ironed into flat rectilinear graph paper, surprise and twists banished, usurped by polish, glitz, angular, high rise glamour, suitable home for those flat tenor high notes. But, there’s hope for Viña yet. This is Latin America, life and color and music will erupt. Carmen was the real thing.
Viña has sprawling parks and plazas. We find the museum under trees. The museum tells the story of Easter Island, Rapa Nui to its inhabitants. They got there in one of the great adventures of our species, the peopling of the tiny dots of land in the immense Pacific. They invented a written script, (yet to be deciphered), a great accomplishment, defoliated their island (not so great), erected the immense stone heads they’re most famous for, and, like many of the non-European peoples of the planet, were carted off as trophies, their culture trashed.
The story is compelling, collapsed into clear images behind glass in a tiny room. The glass rattles. The museum lurches sharply in one direction. We stumble as it lurches back. The attendant yells again, again, again. No need to translate. We run….
2017-04-29 VALPARAISO DAY 5
Our fifth day begins with a wave frim Anita, who runs a lunch-only restaurant down the hill. At 3, our Empanada Lady smiles an ‘Ola' and squeezes my arm in welcome. After 4 days, we’re regulars. We have a neighborhood.
And we’re getting good at scurrying through…uh, up and down…its twists. My knees may complain but those thigh, calf, and butt muscles are tuned and revved up. (Note to Butt Watchers: Valparaiso's get a 20, a full 10 on each bun. My, my, my …and Ole!).
Today we test those muscles out on a long walk on Cerro Bellavista, north and east of our Cerro Alegre, and waaaay up into the non-touristic heights. Our neighbor, Christian, says there are some good murals up there.
'La Sebastiana?'
'Si'
340 pesos (about 50 cents) each changes hands and we plop down onto our slippery seats for the Bus 612 Slalom up Avenida Alemania (German Avenue). We lurch, slide, and slosh, experts after all those earthquakes. For a while, the higher we go, the smaller and more precarious the houses. They drip in clunky chunks down the hillsides, up here almost vertical. In the past Valparaiso's wealthy stayed on the coast. The less so, climbed the hills. Now, way up where the views reach west across the Pacific and north to California there are sleek high rises, gifts of the automobiles that replace Bus 612 for the newly wealthy.
'La Sebastiana!'
We clank out of 612 in front of a blue and red high rise, no prettier than those anywhere else, and with no murals. Across the road is La Sebastiana, one of the homes of Pablo Neruda, Chile's Nobel Laureate poet. We pass on the voyeurism such places suggest to me, and head downhill.
A cluster of murals painted by art students in protest during the early days after Pinochet wrested legitimacy and debased Chilean democracy, history, and promise, is now an open-air museum. There are only about two dozen, but they are courage written large, in bright colors, unmistakable protests of that wrong. Perhaps one day, our Women's March will be so remembered.
The walk is steep and long, but Valparaiso carries us. A detour takes us past a row of small curved benches, croissants tiled in abstracts. A blue fantasy woman ten stories tall blocks the harbor view briefly. Passionfruit ice cream so deeply flavored on my tongue that it makes me squint sits atop a chocolate sibling scoop, frozen and distilled hot fudge.
We end at Empanada Lady. Empanada Number 60 is cheese, tomato, arugula, onion, olives, red peppers wrapped in pastry heaven, and dusted with her 'Ola' of recognition.
Aching knees don’t matter.
2017-04-30 – VALPARAISO DAY
6
The cigarette cantilevers off her lip, dripping ash into her handful of playing cards. She offers the King of Ash. It plays. It’s a man’s world here on the street by the market, tables of men fingering chess pieces, clicking dominoes, sliding royalty and mere numbers from hand to table. She's on her own. Maybe beating the odds.
We’ve done a dry run for tomorrow’s trip to Santiago. The Terminal de Bus is in 'the other side' of Valparaiso, on the flats, close to the sea, and working class. There are no murals here. Either they have not gotten here yet, or they never will, people here busy living life close to the bone, undecorated.
We walk back home passing the gamesters, scoping the 'book and antiques' market, ecumenically making space for hats (winter is coming), Vinyl LPs (Janis Joplin, the Village People, Donna Summers), and food venders. My favorite display, blanket on rough sidewalk, is 'El Bazar de Diogenes', offering large lanterns to whomever might need one to search, as did Diogenes of Athens, for one honest man.
In the produce market, grapes, almost plum-size, purple as eggplants, are 2 kilos for 1000 Pesos---almost 4.5 pounds for $1.50. They are too beautiful to eat, but even they are upstaged by baskets of red peppers, glowing with captured sunlight.
Everywhere there is music blaring, feeding energy to the crowd, people packed so tightly there is almost no room for the notes to slide in and build their rhythm.
The walk back is easy and cool. Early morning fog, then clouds, have captured the blue sky for the first time since we arrived. It’s Autumn in this hemisphere, 7 weeks from the first day of winter, an unnoticed blip in the perpetual Spring of Valparaiso. It’s flat until we start uphill to Empanada Lady (Number 60, again, and 'Ola'). We puff up the 147 steps to our part of Cerro Alegre, lungs getting better at it, legs already there.
'I forget the word for friends of the bride.'
'Bridesmaids'
'Yes’, and he laughs. The vice of that curious mind grips the word.
After two days of semi-conversations over fully-bad connections we finally talk with our son, Abel. He loves the pictures of our adventures here, but now has his own discoveries. He has been to a wedding in Addis Ababa and is describing how it is different from weddings home 'in the north'. 'In Addis, the bridesmaids (now, firmly gripped, he won’t forget it) also get butter in their hair.' 'And we had meat. Chopped raw beef with butter, too'. He's matter of fact, as befits the son of an anthropologist. Once again, he surprises us.
Our adventures in Valparaiso may be winding down, but Abel is always a surprise. He may be the great adventure of our lives.
2017-05-01
VALPARAISO-SANTIAGO-DFW-TAMPA
It’s our last day in Valparaiso.
One of the charms of our slow travel is the hellos as we acquire a neighborhood. The goodbyes are less fun, but we disguise them as hellos, then go off, disappearing ephemerals to our neighbors, our memories intact, and sturdier for the long days we have been here.
Last night at our third meal in 4 days at La Bruschetteria, the young waiter knows what beers we drink. Across the cobblestones, and at the end of one of our favorite alleys, the wooden walkway drops off over a courtyard. Below, twenty-somethings stand still, draped in arched and glued pairs. The old man presses a button on the boom box. The statues melt into the tango, still glued shoulder to thigh, under the night sky. Is there a more achingly beautiful dance? We walk down the hill. The night swallows the music, but not this memory.
Breakfast is again at Desayundo. They won’t remember us, but the scrambled eggs, omelets, and homemade bread and the view out onto a busy corner way and across to a pastry shop up Cerro Alegre will stay with us.
Next door neighbor, Cristian, waves us into a long chat on the street, adds bubble wrap to protect the glass plate that will be our souvenir of Valparaiso and of him, then hugs us goodbye. Maybe Sarasota next for we three?
Ms. Personality, MarYSol, the cat, comments on every step of the packing from her Imperial Perch atop my new patchwork bag, then demands and gets a spot in Dennis' lap. Well softened, we look susceptible, and she tries to scan us into filling her kibbles bowl 'catmmentary' and instructions varied and vociferous. She’s well equipped for leading the next guests to do her bidding. I doubt she’ll miss us as much as we will miss her.
Empanada Lady and Anita, purveyor of wonderful cheap Italian lunches (‘made with love', she says, and it shows) are closed. We wave anyway, carrying memories.
Three buses, three hours and twelve dollars later we’re in the passport line at Santiago Airport. In front of me, a burly guy bends to check his backpack and flips me a Jose, the Plumber view edged in red Ralph Laurens. The Andes and Himalayas are bulging parentheses for a---thank you, Travel Goddess---shallow view of the North Rim of the Grand Canyon. Some memories are best left behind.
So to speak.

